pastedGraphic.pngLinda Verner’s mirror computer screen installations based on the use of the special software utilising human data archives for determining of the human psycho-types shows her experimental and critical approach to new technologies from innovative artistic perspective. Her installation involves public participation and feedback, questioning our perception of machines and the influence of the new technologies on our lives. Her face recognition installations critically engage with algorithms  and robots that anonymously evaluate humans by measuring skills, intellect and abilities judging by physiognomic data: like the distance between facial features and shapes of the wrinkles. It’s common knowledge that the new technologies  AI and robots will determinin to an ever increasing scale our  future by transforming human-machine interface. Linda Werner’s works thematise this process. In the long run it’s up to each of us to decide if the human-psycho type of each of those who make the test developed by Linda Werner is true or false. But once algorithms are used on a larger scale by big companies while hiring or evaluating personnel or making other life important decisions the dilemma gets deeper raising more ethical questions at stake.

 

SURFACE

Work description

                        privacy file, program,
               camera, screen;  2022;

object: 170 x 120 x 50 cm, computer, camera, screen, metal frame, keyboard, cable; 2022;

   Involved in the project 2022
  Andreas Bauer - programming doctor,
 Oliver Mayer - programming engineer;

 

BIOGRAPHY

Linda Werner

2014–2015 pre-studies at art school “tube”

2015–2018 studies of free sculpture in class Marko Lehanka at Academie of Fine Arts Nuremberg

2018–2021 studies of free art in class Heike Baranowsky
at Academie of Fine Arts Nuremberg

2021 master student award from Heike Baranowsky

exhibitions and prizes (selection)

2015 „Wunderwoche“ in the old Post Office Nuremberg

2017 „Going headless“

2018 „Im Zeichen der Gänsehaut“ curated by Ellen Blumenstein

2019 prize of the Academie of Fine Arts Nuremberg
for the performative experience „intensional alexithymia“

participation „system wardrobe“ in Bauhaus Dessau Foundation at Bauhaus Museum Dessau opening „Festival- Stage-Total-100 Jahre Bauhaus“ curated by Torsten Blume

performance „lim“ at Young Urban Performances Festival Osnabrück

2020 photographs of „intensional alexithymia“ with BfK at the museum Plassenburg

2021 exhibition “conditions of necessity” with the collective DAF at Kunsthalle Baden-Baden

2022 installation with the group treibgut in Kassel at documenta 15

 

2022 participation  art fair Unika val Gardena in the castle Franzensfeste in Italy

 

Interactive Installation Surface

 

 

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