Nachbarschaftszentrum Brunnentreff. Volkssolidarität-Berlin

Work list:
perfect being (plastic toy, moss, soil fabric), 14×3×3 cm, 2023
natural garbage (can, moss, soil fabric),11.5×6.6×6.6 cm, 2024
bamboo root (bamboo, aluminum wire, light), 2024
bamboo root2 (bamboo, aluminum wire, light), 2024
 
Plants Pro Wrestling
 
This artwork features a variety of mosses and flowers planted within a wrestling ring, creating a striking visual contrast. The dramatic expressions of the plastic wrestler figurines, originally designed as children’s toys, add a layer of humor and theatricality to the piece. By combining these playful figures with moss, Maharu Maeno crafts a new narrative that speaks to her ongoing exploration of the interactions between plants and the human body.
 
In this work, motion sensors are embedded beneath the moss. When the sensors detect movement, they record the intensity on a scale from 1 to 100. This data triggers changes in a video displayed on a monitor, which shows the wrestlers surrounded by plants. As the movement levels fluctuate, the underground activities of the moss are digitally visualized, making the invisible visible. However, due to the high sensitivity of the sensors, they pick up not only the subtle movements of the plants’ roots but also vibrations from viewers touching the installation or water flowing through it.
 
Maharu playfully acknowledges this unintended interference, likening it to the theatrical nature of professional wrestling, where the “fights” are staged. Nonetheless, the piece still invites viewers to enjoy imagining the unseen, slow territorial battle of the moss roots underground—enough to appreciate the quiet drama unfolding beneath the surface.
 
 
The Tale of the Bamboo Cutter / 竹取物語

This artwork pairs the roots of a living bamboo plant with an electronic sculpture mimicking bamboo roots. Both are intertwined and connected through a network of electronic circuits. The circuits take the form of tubular electronic components, linked together like the segments of bamboo. From each segment, electronic wires extend outward, resembling the fine, hair-like roots of bamboo. The electronic bamboo roots, constructed from various components, feature solar panels that shimmer under sunlight. In contrast, the real bamboo roots are equipped with motion sensors, and when a person approaches, they respond with playful, dance-like movements. These movements, devised by the artist Maharu Maeno in collaboration with AI, are based on the natural growth cycle of bamboo and are controlled by an Arduino and motor system.

The bamboo used in this piece was sourced directly from a bamboo grove in front of the artist’s family home. Bamboo, being a familiar and culturally significant plant in Japan, holds a special meaning for Maharu. This connection is reflected in the work, as bamboo is not just a material but a personal symbol deeply rooted in her identity.

Maharu has worked at the intersection of performance art, gardening, and digital art, and this piece reflects her deep exploration of the relationship between humans and nature. There’s a fascinating concept that plants communicate with each other through electrical signals, and that the underground network of roots in forests resembles the human brain.

Her work invites viewers to consider the parallels between the rapid, powerful growth of bamboo and the fast-paced development of human technology. However, rather than offering a heavy-handed critique, the artwork charms with its whimsical movements, as the bamboo roots seem to “dance” when triggered by motion. This lighthearted interaction draws viewers in, making them smile and watch the fun, almost comical display. While the irony of humanity’s reliance on ever-evolving technology is subtly present, the overall tone is one of curiosity and amusement. By blending the organic and the digital in such a playful way, Maharu visualizes the invisible connections between natural and technological worlds, offering a fresh, poetic perspective on the unseen rhythms that shape both.

 

 
 
Biography:
 
Maharu Maeno is an interdisciplinary artist and performer based in Chiba & Berlin. Her work focuses on perceiving living organisms as processes rather than objects, creating plants sculptures with moss and bamboos. She also creates interactive stage pieces that visualize the movement of flora and fauna using digital technology, based on scientific insights from interviews with arborists and scientists. Her works have been shown in Japan, Berlin, and other places.
 
Exhibition
2024 Bamboo AI Root Resonance, bar conflictable cube/ Ibaraki, Japan
2024 hands on nails we are open, Bauhaus Archive “Moss Nail”/ Berlin, Germany
2023 Yohas art night, Chiba Park “Post-Christmas”/ Chiba, Japan
2023 WAS MACHEN SIE JETZT?!?, Culterim gallery “Moss Nail”/ Berlin, Germany
2023 MEIN KÖRPER MEIN CAPITOL, “Sumo wrestler business women”/ Berlin, Germany
2023 Xposures, Schwartzschen Villa “Instant Wander vo gel”/ Berlin, Germany
2022 Echigo-Tsumari Art Triennale 2022, “We like to watch the clumsy-seeming mountains”
/ Niigata, Japan
 
Performance
2024  hands on nails we are open, Bauhaus Archive “Moss Nail”/ Berlin, Germany
2023  WAS MACHEN SIE JETZT?!?, Culterim gallery “Moss Nail”/ Berlin, Germany
2022   Asian Performing Artists Lab – AMNASIA.4, “Soil Memory” / Berlin Germany
2022   Echigo-Tsumari Art Triennale 2022 “Turn Off the House  Lights”/ Niigata, Japan
2022   “Turn Off the House  Lights” / Berlin, Germany
2022   “First Touch” Honoruru / Nantes, France
2021   “Dancing with Chickens” Himukai Jingu Shrine / Kyoto, Japan
2020   Tobitate Cultural Festival “Kasumi-ka Kumo-ka” / Tokyo, Japan
2019  “RedHook Horror Lemonade” De-Construkt / New York, USA
2019  FIGMENT NYC “Museum of Make-up Art (MoMA)” / New York, USA
 

 

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